{"product_id":"electronic-inspirations-technologies-of-the-cold-war-musical-avant-garde-paperback","title":"Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde - Paperback","description":"\u003cp\u003eby \u003cb\u003eJennifer Iverson\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eFor a decimated post-war West Germany, the electronic music studio at the WDR radio in Cologne was a beacon of hope. Jennifer Iverson's \u003cem\u003eElectronic Inspirations: Technologies of the Cold War Musical Avant-Garde\u003c\/em\u003e traces the reclamation and repurposing of wartime machines, spaces, and discourses into the new sounds of the mid-century studio. In the 1950s, when technologies were plentiful and the need for reconstruction was great, West Germany began to rebuild its cultural prestige via aesthetic and technical advances. The studio's composers, collaborating with scientists and technicians, coaxed music from sine-tone oscillators, noise generators, band-pass filters, and magnetic tape. Together, they applied core tenets from information theory and phonetics, reclaiming military communication technologies as well as fascist propaganda broadcasting spaces. The electronic studio nurtured a revolutionary synthesis of science, technology, politics, and aesthetics. Its esoteric sounds\u003cbr\u003etransformed mid-century music and continue to reverberate today. Electronic music--echoing both cultural anxiety and promise--is a quintessential Cold War innovation.\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eJennifer Iverson\u003c\/strong\u003e is a scholar of twentieth-century music, with a special emphasis on electronic music, avant-gardism, and disability studies. Jennifer's work crosses freely between music theory, musicology, sound studies, and cultural history, drawing together analysis, archival research, and intellectual discourse. Her articles appear in journals such as \u003cem\u003eMusic Theory Spectrum\u003c\/em\u003e, \u003cem\u003eJournal of the American Musicological Society\u003c\/em\u003e, \u003cem\u003etwentieth-century music\u003c\/em\u003e, and \u003cem\u003eMusic Theory Online\u003c\/em\u003e. In 2015-16 she was a faculty fellow at the Stanford Humanities Center and now teaches at the University of Chicago.\u003cbr\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 320\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.2 x 6.1 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 27, 2018\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51753902637344,"sku":"9780190868208","price":66.67,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/cff2b49e7cd81b33cbae68b2056db4f6.webp?v=1780029194","url":"https:\/\/ebocreations.com\/products\/electronic-inspirations-technologies-of-the-cold-war-musical-avant-garde-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}