{"product_id":"fantasm-and-fiction-on-textual-envisioning-paperback","title":"Fantasm and Fiction: On Textual Envisioning - Paperback","description":"\u003cp\u003eby \u003cb\u003ePeter Schwenger\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMental image, dream, fantasy, hallucination--all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the novel, doctors expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious.\u003c\/p\u003e \u003cp\u003eFor the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works--such as Calvino's \u003ci\u003eIf on a Winter's Night a Traveller\u003c\/i\u003e, Coleridge's \"Kubla Khan,\" Sorrentino's \u003ci\u003eMulligan Stew\u003c\/i\u003e, and Rimbaud's \"The Vowels\"--that treat explicitly what is implicit in reading.\u003c\/p\u003e \u003cp\u003eAlthough the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring? These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as \u003ci\u003eProspero's Books\u003c\/i\u003e, \u003ci\u003e Fantasm and Fiction\u003c\/i\u003e illuminates the process of textual visualization.\u003c\/p\u003e \u003cp\u003eThe author develops, in addition, \"A Politics of Visualization\" through analyses of the photographs of David Wojnarowicz, Derek Jarman's film \u003ci\u003eBlue\u003c\/i\u003e, and Nicole Brossard's novel \u003ci\u003ePicture Theory\u003c\/i\u003e. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.\u003c\/p\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003eMental image, dream, fantasy, hallucination--all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the novel, doctors expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious.\u003cbr\u003eFor the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works--such as Calvino's If on a Winter's Night a Traveller, Coleridge's \"Kubla Khan,\" Sorrentino's Mulligan Stew, and Rimbaud's \"The Vowels\"--that treat explicitly what is implicit in reading.\u003cbr\u003eAlthough the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring? These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as Prospero's Books, Fantasm and Fiction illuminates the process of textual visualization.\u003cbr\u003eThe author develops, in addition, \"A Politics of Visualization\" through analyses of the photographs of David Wojnarowicz, Derek Jarman's film Blue, and Nicole Brossard's novel Picture Theory. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eThis is one of a handful of books of criticism that has and wil continue to profoundly affect how I think about reading. Fantasm and Fiction makes a timely contribution to a trend in literarty criticism just coming into its own, takes a deserved place in the challenging and presitigious Cultural Memory in the Present series form Stanford, and provides stimulating and exemplary critical thought for all readers of literature.--Henry Street\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003ePeter Schwenger is Professor of English at Mount St. Vincent University, Halifax, Nova Scotia.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 192\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.46 x 8.98 x 6 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 01, 1999\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51748745314592,"sku":"9780804734721","price":40.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/6861c79fe1b1080a1f78a67efc68a3b9.webp?v=1779915095","url":"https:\/\/ebocreations.com\/products\/fantasm-and-fiction-on-textual-envisioning-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}