{"product_id":"hollywood-remakes-of-iconic-british-films-class-gender-and-stardom-paperback","title":"Hollywood Remakes of Iconic British Films: Class, Gender and Stardom - Paperback","description":"\u003cp\u003eby \u003cb\u003eAgnieszka Rasmus\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis is the first book-length study to address film remaking from a unique perspective of a cross-cultural exchange between two countries which not only share a language but also a history of film cooperation. It examines a selection of cult and classic British titles made at the time of Hollywood's active involvement in the domestic film production, with case studies from a number of genres. The book investigates the ways in which these '60s and early '70s films are remade by Hollywood in the new millennium by focusing in particular on how class and gender representations are updated to accommodate for cultural, societal and technological transformations. It shows a tendency for remakes to revise old power dynamics by means of gender reversal and to replace class conflicts with sex wars. Since all the British originals feature iconic British actors, analysing their Hollywood alter-egos becomes another important indicator of adaptation strategies where casting American or British actors determines the remake's gender politics and genre markers.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eHollywood Remakes of Iconic British Films: Class, Gender and Stardom investigates film remaking from the unique perspective of cross-cultural exchange between two countries who share a common language and history in film cooperation. Each chapter discusses classic British films connected by the same star, genre and theme to trace the change from 1960s optimism to the despondency of the 1970s. Rasmus scrutinizes millennial remakes to show how they transform the representation of class, gender and stardom to comply with industrial trends and appeal to a twenty-first century global audience. Case studies include Alfie (1966; 2004), Bedazzled (1967; 2000), The Italian Job (1969; 2003), Get Carter (1971; 2000), Sleuth (1972; 2007), The Wicker Man (1973; 2006) as well as The Limey (1999). Agnieszka Rasmus is Assistant Professor in the Department of English Studies in Drama, Theatre and Film, University of Lódź, Poland. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (2008) and numerous articles on film remakes and adaptations.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAgnieszka Rasmus is Assistant Professor in the Department of English Studies in Drama, Theatre and Film, University of Lódź, Poland. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (2008) and numerous articles on film remakes and adaptations.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 192\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.39 x 9.21 x 6.14 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 31, 2024\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51773913202976,"sku":"9781474448796","price":47.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/2ee29a9be3f1f7fe95eb6f16d7ec54bd_ca0f7bc5-ca44-4b24-8f61-e8c1b40b2dc1.jpg?v=1780435690","url":"https:\/\/ebocreations.com\/products\/hollywood-remakes-of-iconic-british-films-class-gender-and-stardom-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}