{"product_id":"new-wave-new-hollywood-reassessment-recovery-and-legacy-paperback","title":"New Wave, New Hollywood: Reassessment, Recovery, and Legacy - Paperback","description":"\u003cp\u003eby \u003cb\u003eNathan Abrams\u003c\/b\u003e (Editor), \u003cb\u003eGregory Frame\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003eAs a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From \u003ci\u003eBonnie and Clyde\u003c\/i\u003e to\u003ci\u003e Heaven's Gate\u003c\/i\u003e, it produced films that continue to be watched, discussed, analysed and poured over.\u003cbr\u003e\u003cbr\u003eIt has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, \u003ci\u003eNew Wave, New Hollywood: Reassessment, Recovery, Legacy\u003c\/i\u003e looks to begin a new discussion about Hollywood cinema after 1967.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNathan Abrams\u003c\/b\u003e is Professor in Film at Bangor University in Wales. He is founding co-editor of \u003ci\u003eJewish Film and New Media: An International Journal\u003c\/i\u003e, as well as the author of \u003ci\u003eThe New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema\u003c\/i\u003e, \u003ci\u003eStanley Kubrick: New York Jewish Intellectual\u003c\/i\u003e, \u003ci\u003eEyes Wide Shut: Stanley Kubrick and the Making of His Final Film\u003c\/i\u003e (with Robert Kolker) and \u003ci\u003eThe Bloomsbury Companion to Stanley Kubrick\u003c\/i\u003e (with IQ Hunter). \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eGregory Frame is Teaching Associate in Film and Television Studies at the University of Nottingham. He is the author of\u003ci\u003e The American President in Film and Television: Myth, Politics and Representation \u003c\/i\u003e(2014). He has published articles about the politics of American film and television in \u003ci\u003eJournal of American Studies\u003c\/i\u003e, \u003ci\u003eNew Review of Film and Television Studies\u003c\/i\u003e, and \u003ci\u003eJournal of Popular Film and Television\u003c\/i\u003e.\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.57 x 9 x 6 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 20, 2023\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51782434455840,"sku":"9781501372728","price":73.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/a5016fb2768492b6614c73a6bc4b9345.webp?v=1780570581","url":"https:\/\/ebocreations.com\/products\/new-wave-new-hollywood-reassessment-recovery-and-legacy-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}