{"product_id":"screen-tourism-and-affective-landscapes-the-real-the-virtual-and-the-cinematic-paperback","title":"Screen Tourism and Affective Landscapes: The Real, the Virtual, and the Cinematic - Paperback","description":"\u003cp\u003eby \u003cb\u003eErik Champion\u003c\/b\u003e (Editor), \u003cb\u003eChristina Lee\u003c\/b\u003e (Editor), \u003cb\u003eJane Stadler\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis book explores ways in which screen-based storyworlds transfix, transform, and transport us imaginatively, physically, and virtually to the places they depict or film. Topics include fantasy quests in computer games, celebrity walking tours, dark tourism sites, Hobbiton as theme park, surf movies, and social gangs of Disneyland. \u003c\/p\u003e\u003cp\u003eHow physical, virtual, and imagined locations create a sense of place through their immediate experience or visitation is undergoing a revolution in technology, travel modes, and tourism behaviour. This edited collection explores the rapidly evolving field of screen tourism and the affective impact of landscape, with provocative questions and investigations of social groups, fan culture, new technology, and the wider changing trends in screen tourism. We provide critical examples of affective landscapes across a wide range of mediums (from the big screen to the small screen) and locations. \u003c\/p\u003e\u003cp\u003eThis book will appeal to students and scholars in film and tourism, as well as geography, design, media and communication studies, game studies, and digital humanities.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eErik Champion\u003c\/strong\u003e is Enterprise Fellow at University of South Australia, Emeritus Professor at Curtin University, Australia, and formerly UNESCO Chair and Visualisation Theme Leader of the Curtin Institute of Computation. His recent books are\u003cem\u003e Rethinking Virtual Places\u003c\/em\u003e (2021), \u003cem\u003eOrganic Design in Twentieth-Century Nordic Architecture\u003c\/em\u003e (Routledge, 2019), \u003cem\u003eCritical Gaming: Interactive History and Virtual Heritage\u003c\/em\u003e (Routledge, 2016), and \u003cem\u003ePlaying with the Past\u003c\/em\u003e (2011). He is editor of \u003cem\u003eVirtual Heritage: A Guide\u003c\/em\u003e (2021), \u003cem\u003eThe Phenomenology of Real and Virtual Places\u003c\/em\u003e (Routledge, 2019), and \u003cem\u003eGame Mods: Design, Theory and Criticism\u003c\/em\u003e (2012), and co-editor of \u003cem\u003eCultural Heritage Infrastructures in Digital Humanities\u003c\/em\u003e (Routledge, 2018). \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eChristina Lee\u003c\/strong\u003e is Senior Lecturer in English and Cultural Studies at Curtin University, Australia. She is the author of \u003cem\u003eScreening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema\u003c\/em\u003e (2010), and the editor of \u003cem\u003eViolating Time: History, Memory, and Nostalgia in Cinema\u003c\/em\u003e (2012) and \u003cem\u003eSpectral Spaces and Hauntings: The Affects of Absence\u003c\/em\u003e (Routledge, 2017). Her research interests include spaces of imagination and spectrality (including screen tourism sites), popular culture, and fandom.\u003c\/p\u003e\u003cp\u003eJane Stadler is Honorary Professor of Film and Media Studies at The University of Queensland in Australia. She led a collaborative Australian Research Council project on landscape and location in Australian cinema, literature, and theatre (2011-2014) and co-authored\u003cem\u003e Imagined Landscapes: Geovisualizing Australian Spatial Narratives\u003c\/em\u003e (2016). She is author of \u003cem\u003ePulling Focus: Intersubjective Experience, Narrative Film and Ethics\u003c\/em\u003e (2008) and co-author of \u003cem\u003eScreen Media\u003c\/em\u003e (2009) and \u003cem\u003eMedia and Society\u003c\/em\u003e (2016). Her recent research focuses on the audience's affective responses to cinema.\u003c\/p\u003e\u003cp\u003eRobert Moses Peaslee is Associate Professor in the Department of Journalism and Creative Media Industries at Texas Tech University, USA. He is the co-editor of \u003cem\u003eThe Joker: A Serious Study of the Clown Prince of Crime\u003c\/em\u003e (2015), \u003cem\u003eThe Supervillain Reader\u003c\/em\u003e (2020) and \u003cem\u003eWeb-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man \u003c\/em\u003e(2012). He also co-edited \u003cem\u003eMarvel Comics into Film: Essays on Adaptations since the 1940s\u003c\/em\u003e (2016). Robert studies relationships between media and place, as well as popular culture, adaptation, and fandom. \u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 262\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.59 x 9.21 x 6.14 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 30, 2022\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51810211168544,"sku":"9781032355962","price":89.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/09b7af61718f6a01bbdc21cabdeaa1a1.webp?v=1780985660","url":"https:\/\/ebocreations.com\/products\/screen-tourism-and-affective-landscapes-the-real-the-virtual-and-the-cinematic-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}