{"product_id":"scripts-of-blackness-early-modern-performance-culture-and-the-making-of-race-paperback","title":"Scripts of Blackness: Early Modern Performance Culture and the Making of Race - Paperback","description":"\u003cp\u003eby \u003cb\u003eNoémie Ndiaye\u003c\/b\u003e (Author), \u003cb\u003eGeraldine Heng\u003c\/b\u003e (Editor), \u003cb\u003eAyanna Thompson\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eScripts of Blackness\u003c\/i\u003e shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could\/would ultimately live in their midst. \u003cp\u003e\u003c\/p\u003eThose scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. \u003ci\u003eScripts of Blackness\u003c\/i\u003e attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eNoémie Ndiaye is Associate Professor of English at the University of Chicago.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 376\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.84 x 9 x 6 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 27, 2024\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51751245742368,"sku":"9781512826074","price":40.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/fb5d88061e74eb819306ac31de1d0468.webp?v=1779968593","url":"https:\/\/ebocreations.com\/products\/scripts-of-blackness-early-modern-performance-culture-and-the-making-of-race-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}