by Liesbeth Decan (Editor), Agnieszka Sosnowska (Editor), Sarah Van Beurden (Text by (Art/Photo Books))

Tapta's activation of the viewer manifests itself in both her textile sculptures and neoprene works

In chronological order, Flexible Forms documents Tapta's (1926-97) oeuvre from her textile pieces to her neoprene sculptures. It also documents the exclusive replication of Forms for a Flexible Space (1974), the only surviving interactive environment that Tapta created.