{"product_id":"the-shakespeare-user-critical-and-creative-appropriations-in-a-networked-culture-hardcover","title":"The Shakespeare User: Critical and Creative Appropriations in a Networked Culture - Hardcover","description":"\u003cp\u003eby \u003cb\u003eValerie M. Fazel\u003c\/b\u003e (Editor), \u003cb\u003eLouise Geddes\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e1 ​Introduction: The Shakespeare User.- 2 South of Elsinore: Actions that A Man Might Play.- 3 Beyond \u003ci\u003eThe Tempest\u003c\/i\u003e: Language, Legitimacy, and \u003ci\u003eLa Frontera\u003c\/i\u003e.- 4 Young Turks or Corporate Clones? Cognitive Capitalism and the (Young) User in the Shakespearean Attention Economy.- 5 Circum-Global Transmission of Value: Leveraging \u003ci\u003eHenry V\u003c\/i\u003e's Cultural Inheritance.- 6 Shakespeare Fanboys and Fangirls and the Work of Play.- 7 Theorizing User Agency in YouTube Shakespeare.- 8 The Haunted Network: Shakespeare's Digital Ghost.- 9 Shakespeare and Disciplinarity.- 10 Who, or What, is a Shakespeare User?.- 11 Shakespeare and the Undead.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis innovative collection explores uses of Shakespeare in a wide variety of 21\u003csup\u003est\u003c\/sup\u003e century contexts, including business manuals, non-literary scholarship, database aggregation, social media, gaming, and creative criticism. Essays in this volume demonstrate that users' critical and creative uses of the dramatist's works position contemporary issues of race, power, identity, and authority in new networks that redefine Shakespeare and reconceptualize the ways in which he is processed in both scholarly and popular culture. While \u003ci\u003eThe Shakespeare User\u003c\/i\u003e contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network. This reticular understanding of Shakespeare use expands scholarly forays into non-academic practices, digital discourse communities, and creative critical works manifest via YouTube, Twitter, blogs, databases, websites, and popular fiction. \u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eValerie M. Fazel teaches at Arizona State University. Her work on Shakespeare and digital media has been published in \u003ci\u003eBorrowers and Lenders \u003c\/i\u003eand \u003ci\u003eShakespeare \u003c\/i\u003e(with Louise Geddes). \u003c\/p\u003e\u003cp\u003eLouise Geddes is Assistant Professor of English at Adelphi University. She is the author of \u003ci\u003eAppropriating Shakespeare: A Cultural History of Pyramus and Thisbe \u003c\/i\u003e(2017). Her work has appeared in \u003ci\u003eShakespeare Bulletin\u003c\/i\u003e, \u003ci\u003eMaRDiE, Interdisciplinary Studies\u003c\/i\u003e, \u003ci\u003e \u003c\/i\u003eand \u003ci\u003eShakespeare\u003c\/i\u003e \u003ci\u003eSurvey\u003c\/i\u003e. \u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 257\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.63 x 8.27 x 5.83 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 06, 2017\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51794357354784,"sku":"9783319610146","price":194.38,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/89d798a25a0cf0260a69ae7ba17db602.webp?v=1780728897","url":"https:\/\/ebocreations.com\/products\/the-shakespeare-user-critical-and-creative-appropriations-in-a-networked-culture-hardcover","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}