{"product_id":"the-substance-of-fiction-literary-objects-in-china-1550-1775-paperback","title":"The Substance of Fiction: Literary Objects in China, 1550-1775 - Paperback","description":"\u003cp\u003eby \u003cb\u003eSophie Volpp\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eDo the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eVolpp examines a series of objects--a robe, a box and a shell, a telescope, a plate-glass mirror, and a painting--drawn from the canonical works frequently mined for information about late imperial material culture, including the novels \u003ci\u003eThe Plum in the Golden Vase\u003c\/i\u003e and \u003ci\u003eThe Story of the Stone\u003c\/i\u003e as well as the short fiction of Feng Menglong, Ling Mengchu, and Li Yu. She argues that although fictional objects invite readers to think of them as illustrative, in fact, inconsistent and discontinuous representation disconnects the literary object from potential historical analogues. The historical resonances of literary objects illuminate the rhetorical strategies of individual works of fiction and, more broadly, conceptions of fictionality in the Ming and Qing. Rather than offering a transparent lens on the past, fictional objects train the reader to be aware of the fallibility of perception. A deeply insightful analysis of late Ming and Qing texts and reading practices, \u003ci\u003eThe Substance of Fiction\u003c\/i\u003e has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eSophie Volpp is professor of East Asian languages and cultures and comparative literature at the University of California, Berkeley. She is the author of \u003ci\u003eWorldly Stage: Theatricality in Seventeenth-Century China\u003c\/i\u003e (2011).\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 240\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 5.9 x 8.8 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 28, 2022\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51785904292128,"sku":"9780231199650","price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/7df73badeb8b06b9fd10ecb4744e7139.webp?v=1780623167","url":"https:\/\/ebocreations.com\/products\/the-substance-of-fiction-literary-objects-in-china-1550-1775-paperback","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}