Transnational Crime Cinema - Paperback

by Sarah Delahousse (Editor), Aleksander Sedzielarz (Editor)

Framed by approaches in critical transnationalism, this volume examines crime as a cinematic mode moving within, between, and across national cinemas to provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre.
Filmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power. Transnational Crime Cinema studies the production and reception of films from Europe, Africa, East and South Asia, and South America present crime as a discursive site where the terms of the nation and cinema gain new definition.
Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema's own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures.

Author Biography

Sarah Delahousse is Adjunct Assistant Professor in the Department of English at York College-CUNY. She is the author of 'Reimagining the Criminal: The Marketing of Louis Feuillade's Fant?mas (1913-14) and Les Vampires (1915) in the United States, ' published in Studies in French Cinema.

Aleksander Sedzielarz is Assistant Professor in the School of English at Wenzhou-Kean University.