{"product_id":"upgraded-to-serious-hardcover","title":"Upgraded to Serious - Hardcover","description":"\u003cp\u003eby \u003cb\u003eHeather McHugh\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCarol Muske-Dukes calls McHugh, with her comic-book moxie and her linguistic virtuosity, a kind of Superwoman of poetry. The poems focus on what is within 'eyeshot, ' or visible, but their true subject is their author's mortal acuity.\u003ci\u003e--Los Angeles Times\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eMcHugh's eighth book finds this acclaimed poet as odd and entertaining as ever, with her trademark slippery associative lines and jagged stanzas...but also subtly sobered by growing older while living through the grim political climate of the last eight years. McHugh's short, jerky lines, odd rhymes, bemused gravity and slant perspective on the world at hand bring Emily Dickinson to mind....McHugh remains one of our most important and unusual poets....--\u003ci\u003ePublishers Weekly \u003c\/i\u003e(Starred Review)\u003c\/p\u003e\u003cp\u003eOffering an idiosyncratic sense of sacredness, the book makes the earnest and the tongue-in-cheek almost indistinguishable....Writing in her signature relaxed iambic line, McHugh flips and winds the language of American common wisdom. In \u003ci\u003eUpgraded to Serious\u003c\/i\u003e...we encounter a poet who is listening assiduously. Her attention to language is visible in each poem's marked use of rhyme. The sustained outpouring of alliteration gives the sense that McHugh will never be out of breath.--\u003ci\u003eForeWord\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eMcHugh's poems move as fluent wholes, thanks in part to her artful use of rhyme, rhythm, and portmanteaux. If much ancient poetry has become fragmentary over time, and much modern poetry begins as fragments, Heather McHugh's poetry blurs the line between fragments and wholes, crafting one from the other. She delights both in dilating linguistic fragments into astonishing new wholes and in exposing and excavating language's invisible fault-lines.--\u003ci\u003eThe Oxonian Review\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"If McHugh is serious, she's anything but grim; with all her punning, bantering, and mock scolding of herself . . . she brightens the shadowy corners of her world with verbal pyrotechnics.\"--\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"McHugh is known as a challenging wordsmith, but, as this collection reveals, she is also a compassionate eyewitness . . . Her lines are animated but serious, and though they accelerate quickly, meaning and humor can be found in a single word.\"--\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"Her poems are open, resilient, invisibly twisted: part safety net, part trampoline.\"--\u003ci\u003eThe Village Voice Literary Supplement\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eOne of \u003ci\u003ePublishers Weekly\u003c\/i\u003e's Best Books of 2009\u003c\/p\u003e\u003cp\u003eNational Book Award finalist and 2009 MacArthur Fellow Heather McHugh presents a fast-paced, verbally dexterous, and brilliantly humorous book. Utilizing medical terminology and iconography to work through loss and detachment, McHugh's startling rhymes and rhythms--along with her sarcastic self-reflection and infectious laughter--serve as antidotes to the sufferings of the world. Being \"upgraded to serious\" from critical condition is a nod to the healing powers of poetry.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNot to Be Dwelled On\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSelf-interest cropped up even there, \u003c\/i\u003e\u003cbr\u003e\u003ci\u003ethe day I hoisted three instead\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eof the ceremonially called-for two\u003c\/i\u003e\u003cbr\u003e\u003ci\u003espadefuls of loam\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eonto the coffin of my friend.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhy shovel more than anybody else?\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eWhat did I think I'd prove? More love\u003c\/i\u003e\u003cbr\u003e\u003ci\u003e(mud in her eye)? More will to work?\u003c\/i\u003e\u003cbr\u003e\u003ci\u003e(Her father what, a shirker?) Christ, \u003c\/i\u003e\u003cbr\u003e\u003ci\u003ewhat wouldn't anybody give\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eto get that gesture back?\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eShe cannot die again; and I\u003c\/i\u003e\u003cbr\u003e\u003ci\u003edo nothing but re-live.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eHeather McHugh\u003c\/b\u003e is the author of a dozen books of poetry and translation. She teaches at the University of Washington and Warren Wilson College and lives in Seattle.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eHeather McHugh is the author of a dozen books of poetry and translation, including Hinge \u0026amp; Sign, a New York Times Book of the Year and a finalist for the National Book Award. McHugh teaches at the University of Washington and has been a visiting faculty member in the MFA at Warren Wilson College since its inception.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 85\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.6 x 9.1 x 6 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 01, 2009\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":51771611021600,"sku":"9781556593062","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/9764\/5344\/files\/9686599e4f72bafc5e0a00c7e9e7a403.webp?v=1780389510","url":"https:\/\/ebocreations.com\/products\/upgraded-to-serious-hardcover","provider":"The E-Book Oasis LLC","version":"1.0","type":"link"}